Micro-Mark Frogskin Camo Brown Paint, 20ml

37.00 dh
SKU 29455

  • Authentic WWII U.S. Marine Corps camouflage tone used in both jungle and beach patterns
  • Ideal for painting reversible uniforms, helmet covers, and tropical gear
  • Pairs with Dark Tan, Dark Green, and Tan for accurate Frogskin camo schemes
  • Great for dioramas featuring Pacific Island combat and mixed terrain environments
  • Made in the USA with high-quality, modeler-grade acrylic pigment

Description:
Frogskin Camo Brown is a warm, earthy tone developed to complete the range of colors used in the U.S. Marine Corps’ iconic WWII frogskin camouflage pattern. Positioned between green and tan in the color palette, this shade was used to deepen contrast, represent natural shadows, and help blend uniforms and gear into both tropical foliage and arid terrain.

Frogskin Camo Brown is in our set Item #29456 U.S. Army Armor & Infantry WWI to Vietnam and the Item #29503 US Military Acrylic Paint Set, 81 pieces.

Color Description:
Frogskin Camo Brown is a medium brown with reddish clay and umber undertones. It adds depth and visual breakup in the layered, irregular camouflage patterns used by USMC forces in WWII. The tone complements both the beach-side and jungle-side camo schemes and was used on uniforms, helmet covers, and soft gear in active combat zones.


This color was used prominently in WWII by the U.S. Marine Corps.
•    In WWII, it served as a transitional blotch tone in both jungle and beach variants of frogskin camouflage
•    Commonly seen on reversible uniforms and helmet covers used in the Pacific Theater
•    Continued in use post-war on surplus gear and influenced later camo development for tropical operations
Modeling Uses
•    Layer over Light Green, Dark Green, or Tan to complete accurate frogskin patterns
•    Ideal for highlighting folds, shadowed edges, and grime-prone areas of uniforms and gear
•    Works well in mixed terrain dioramas with mud, foliage, or volcanic soil
•    Combine with Flat Brown, Dirt, or Dust for enhanced weathering and realism